MFA Social Documentary Film
SVA MFA Social Documentary Film — SocDoc — helps you to create films that bring distant stories close or illuminate the ideas right in our neighborhoods; films that inspire deep reflection or bold action. SocDoc represents the convergence of the art of filmmaking, journalistic research and social activism.
How SocDoc Excels
We graduate skilled filmmakers.
- SocDoc is transformative for students, providing a comprehensive curriculum, real industry exposure, top equipment and a rigorous, creative environment. Students develop a critical, constructive eye toward their own work and that of their peers, accelerating their drive to make impactful films.
We are rooted in the documentary culture of New York City.
- There is no substitute for making films in the most vibrant city in the world. Faculty and guest lecturers teach at SocDoc simultaneous to the production of their own major films and series. Film festivals, networking events and museums are all a part of the curriculum. Looking for your next documentary subject? Millions of diverse stories are at your fingertips.
The faculty are passionate, engaged, award-winning filmmakers.
- It’s all about access. Our faculty includes artists, executives, distributors—pros at the top of their game. Students gain unparalleled individualized instruction to open the doors to a range of successful careers in documentary - producing, directing, editing, cinematography, curation and distribution.
We are storytellers at heart.
- SocDoc welcomes qualified students from varying backgrounds — prior filmmaking experience is encouraged, but not required. Ultimately, we are looking for passionate, insightful individuals who recognize the potential of a great story and are eager to learn how to share these stories through documentary film.

How SocDoc Alumni Succeed
We continue to make an impressive impact in the world of documentary filmmaking.
Collectively, SocDoc alumni films have received millions dollars in production financing and support from essential film organizations including Sundance Institute, ITVS, Frameline, Center for Asian American Media, Chicken and Egg Pictures, IDFA BERTHA Fund, BAFTA New Filmmakers, Canadian Academy Directors Program, Durban FilmMart and more.
Graduates have won Emmys, Peabody Awards, a Student Academy Award and many other nominations for their work. Alumni features and shorts are released across the U.S. and worldwide, and play in top festivals and film markets including Sundance, Tribeca, Berlin, IDFA, SXSW, Full Frame, Hot Docs, Fresh Pitch China, Doc Buenos Aires, Gotham Week and DOC NYC — where a recent thesis film took the Grand Jury Prize.

Classes and Thesis Film
In your first year in SVA’s MFA Social Documentary Film program, you will explore the past, present and future of the art of documentary film, while mastering the tools and techniques needed to tell compelling stories. Experiential learning begins immediately; you will complete five to seven documentary shorts in this first year alone.
In the summer between your first and second academic year, you will begin filming your thesis project, which you’ll edit and refine in your second year, informed by rigorous coursework and faculty guidance. You will also serve as a key production crew member on at least one other student’s thesis project, allowing you to experience several essential roles that contribute to a successful film. A final screening for the department chair and thesis committee culminates the program leading to your degree. Following graduation, all students screen their films in a public Thesis Showcase, introducing their work to the larger film industry.
All students receive mentorship on their thesis films from a faculty advisor, a SocDoc alumni advisor, and engage in a post-graduation career consultation with an industry expert.
SocDoc also offers an Extended Three-Year MFA. The curriculum is the same as our traditional two-year graduate degree, but spread across three years, allowing more flexibility for working professionals in documentary and other fields to participate.
Degree candidates must successfully complete 60 credits, including all required courses, with a cumulative grade point average of at least 3.0, and a residency of two or three academic years is required.

Facilities
The MFA Social Documentary Film department offers top-of-the-line professional grade equipment, including the latest 4K video cameras, lighting and sound recorders, to all students in the program. There is a 2:1 (or better) student to camera ratio, and students are lent a camera package for thesis production, wherever in the world that takes them. The department houses state-of-the-art editing suites, a voiceover booth, allowing for a film’s completion through the post-production process.
Production Equipment

Cameras
- Sony FX6 Full Frame 4k Camera
- Sony FS5 Camera
- Sigma 24-70mm Zoom lenses
- Sony PXW-Z280
- Rokinon Xeen Prime lens kits
Tripods
- Sachtler FSB-6 & FSB-4 Fluid Head tripods
- Miller DS-10 Solo tripod
- Sachtler Ace tripod
- Libec TH- 650HD & TH-950DV tripod
Audio
- Sound Devices MixPre II
- Sound Devices 633 mixer/recorder
- Zoom H4N Pro Handy recorder
- Sony ECM shotgun microphones
- Rode NTG-1, NTG-2 & NTG-3 shotgun microphones
- Sennheiser MKH-416 & MKH-60 shotgun microphones
- Sennheiser Evolution G3/G4 wireless packages
- Audio Technica BP4025 stereo microphones
- Neumann TLM 103 Large Diaphragm microphone (booth mic)
Lighting
- Kino Flo Interview kit
- Kino Flo Diva 200 lights
- Litepanels 1×1 LED lights
- Litepanels on-camera lights
- Astra 1x1 Bi-Color LED lights
- Lowel Rifa Soft Box and Lowel 4-Point lighting kits
- GVM RBG lighting kits
- Assorted Fresnel lights
- Assorted grip equipment
Editing Suites
Martin Mendiza- 5 Private Edit Suites (Mac Studio, M1 Max, 64GB RAM, dual LCD displays, color-calibrated grading monitors)
- 10 Editing Lab Stations (21.5 iMac, i7, 16GB RAM)
- Avid Media Composer, Adobe CC Suite, Final Cut Pro X, DaVinci Resolve
- Black Magic Video I/O hardware
- Voice-over booth (Neumann microphone)
- ProTools, Izotope production audio plugins
- Facilis Terrablock shared storage
SocDoc Screening Room

The department includes a jewel box screening room in the heart of Chelsea at the School of Visual Arts. The theater is a classroom and test screening space, and is available free to SocDoc students year-round.
Theater Specs
- 48 Seats
- Stereo sound with 150-watt JBL speakers
- Digital Projection E-Vision Laser 10K Projector
- 1920×1080 native resolution
- 10,500 ANSI Lumens
- 16:9 DA-LITE Screen
Selected Guest Lecturers
Film Industry
Nancy Abraham & Sara Rodriguez
HBO Documentary
Adam Banicki (class of 2012)
The Wall Street Journal
Opal H. Bennett
P.O.V.
Caitlin Mae Burke
If/Then Shorts, Field of Vision
Tamara Gould
ITVS
Loren Hammonds
TIME Studios
Beth Hoppe
ABC News
Marcie Hume
A&E
Tabitha Jackson
Sundance Film Festival
Michael Kantor
PBS American Masters
Christine Le Goff
ZED (France)
Sheilah Nevins
MTV Documentaries
Adam Neuhaus
ESPN
Christopher Perez, Esq.
Donaldson, Callif, Perez LLP
José Rodriguez
Tribeca Film Festival
Molly Thompson
Apple TV+
Filmmakers Past & Present
Natalia Almada
El General
Michael Apted
7 Up series
Alan Berliner
First Cousin Once Removed
Joe Berlinger
Paradise Lost
Doug Block
51 Birch Street
Steven Bognar
American Factory
Christine Choy
Who Killed Vincent Chin?
Marshall Curry
If a Tree Falls: A Story of the Earth Liberation Front
Jason DaSilva
When I Walk
Abigail Disney
Pray the Devil Back to Hell
Carol Dysinger
Learning to Skateboard in a Warzone
Penelope Falk
Joan Rivers: A Piece of Work
David France
Welcome to Chechnya
Susan Froemke
The Opera House
Yance Ford
Strong Island
Alex Gibney
Taxi to the Dark Side
Julie Goldman
Life, Animated
Sam Green
Utopia in Four Movements
Lauren Greenfield
Generation Wealth
Zachary Heinzerling
Cutie and the Boxer
Kirsten Johnson
Dick Johnson is Dead
Ellen Kuras
Cinematographer
Zhao Liang
Behemoth
Loira Limbal
Through The Night
Ross McElwee
Sherman’s March
Muffie Meyer
Grey Gardens
Darius Clark Monroe
Evolution of a Criminal
Brett Morgen
Moonage Daydream
Marcel Ophuls
The Sorrow and the Pity
David Osit (class of 2011)
Mayor
D.A. Pennebaker & Chris Hegedus
Don’t Look Back
Yoruba Richen
The New Black
Bernardo Ruiz
Reportero
E. Donna Shepherd
Marina Abramovic: The Artist Is Present
Ondi Timoner
We Live in Public
Elizabeth Chai Vasarhelyi
Free Solo
Nanfu Wang
One Child Nation
Frederick Wiseman
Titicut Follies
Matt Wolf
Spaceship Earth
Hao Wu
76 Days
Jeremiah Zagar
In a Dream
Caveh Zahedi
The Sheikh and I
Farihah Zaman
Remote Area Medical
New York, NY 10011
